Videos

An experimental film, a field diary in audiovisual format. The sound of birds is part of the doctoral research of Kelen Pessuto, who carried out his fieldwork in Turkey in 2004. The film is marked by loneliness, meetings, misunderstandings, Syrian children, the Kurds and Dengbêj, one of the major cultural manifestations of the Kurdish people, who use singing as a means of transmitting Kurdish language and stories.

The Afro-Sampas project promotes the meeting between African musicians living in São Paulo and Brazilian musicians. In this episode, Chico Saraiva welcomes Edoh Fiho and Sassou Espoir Ametoglo, from Togo, Yannick Delass and Shambuyi Wetu, from the Democratic Republic of Congo, into his apartment in São Paulo. From this first meeting, the song "Anitché Brasil África" ​​was born.

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Wapu, açaí in the wayana language, is a native fruit of the Amazon.The film's main character is this fruit and shows how everyday, ritual and music are intertwined in the past and present. The images and sounds of this video were captured by young Wayana group in July 2015 in the Suwi-suwi mïn village, Rio Paru d'Este Indigenous Land (Pará, Brazil). During this period audiovisual workshops were held so that they had the first contact with the recording equipment.

The film, made in partnership with a group of young women from the Tenonde Porã village, in São Paulo, mixes fiction and documentary in a narrative around the figure of Piragui, owner of the fish in the Guarani Mbya tradition. It was carried out in partnership with LISA (Laboratory of Image and Sound in Anthropology) at the University of São Paulo, guided by Profa. Dr. Rose Satiko and with support from CNPQ.

With Nassuradine Adamou.
Documentary-fiction that recounts and interweaves a series of journeys from historical and contemporary figures across Egypt, Senegal and Brazil.

"He needs to preserve his life". The phrase echoes the tragedy of those who need to seek refuge. A silent figure on the stage, covered in coltan, bloody cell phones glued to his body; a distant war, for refugees so close.
Performance "No to the war in Congo", at the 1st International Refugee Day Festival, June 19, 2016, São Paulo.

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The essay “It was a woman's body”, by Ewelter Rocha, consists of an audiovisual ethnographic writing experience, having been conceived under the auspices of this presumption. In this perspective, we developed a narrative in which sounds, images, texts and speeches intertwine in the construction of a montage that favors intermingling in the same support the evocation of an ethnographic experience and the artistic production that represents its main protagonists. In this case, focusing on the wooden sculptures and clay pieces that depict the butts of Juazeiro do Norte - CE. The essay is based on a twelve-year research that we developed in the hinterland of Cariri Ceará, a region located in the south of Ceará. This essay is part of GIS n.1 - Gesture, image and sound. Anthropology Journal of the University of São Paulo, published in June 2016: revista.usp.br/gis .

Performer Shambuyi Wetu could have written (inconsistently in conscience): "Brazil country of hunger". I live in a small, damp room, a real achievement!
I walk between the prison's cigarrette butts, in the scandalous silence of the unconscious.
I take pains to process them and convert them to smoke.
Refugee from the danger of not being, I multiply around the world.
I live in São Congo, neither Paulo nor Congo.
Civil construction? My daily bread. For how long?"

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The country receives the immigrant's body, not his luggage. Performance by Shambuyi Wetu at the VII World Social Forum on Migration, July 10, 2016, São Paulo.

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Mozambican musicist Lenna Bahule comments on her trajectory, her relationship with Brazilian music, African references and performs with the Bahule Quartet at the Immigration Museum in São Paulo, the city where she lives today.

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This short film, filmed by young pals during a video workshop, is the result of an exercise of recording a day in the life of the character Pintinho (Setina Apalai). The irreverent protagonist invites young apprentices and spectators to accompany their day in the village Bona (TI Indigenous Park of Tumucumaque, Pará). Held between June and July 2015, these films were the first contact of these young people with a video camera.

The Wajãpi from Amapá have their Kusiwa graphic standards recognized by Iphan as immaterial cultural heritage of Brazil. In 2015, the young Wajãpi researchers decided to show on video some of the characteristics of these brands and their owners, the care and effects of their use, and their concerns about the practice of these paintings in the new generations.

Following his artistic path, Chico Saraiva meets up with 7 master musicians who share their experiences: João Bosco, Sérgio Assad, Paulo César Pinheiro, Paulo Bellinati, Marco Pereira, Luiz Tatit and Guinga. The conversation, with acoustic guitars in hands, reveals multiple ways of how music is created through the particularly fertile relationship between solo guitar pieces and popular brazilian songs.

The Malês Uprising, which took place in 1835, significantly marks the Afro-Islamic universe. Literate blacks, who did not accept being subordinate to slaveholders. In Islam, slavery is prohibited, as man must serve only God. In this documentary, the aesthetic and narrative expressions between the holy people and Muslims intersect, bringing other versions that make us enter other stories, that are not only the "official", but also those that are told to us through myths and that enrich this magical universe that permeates the lives of Malês/Muslims.

Cem Asas tells the story of a man trapped in a psychiatric hospital, who decides to escape to prevent his beloved from making a pact with the God of Madness.
Throughout this escape attempt, the character encounters challenges that go beyond rational logic.