Happened at LISA

The African presence in Brazilian music manifests itself in several ways. If, in 1966, Baden Powell "carioquizava" candomblé with the Afro-sambas he composed with Vinícius de Moraes, half a century later we live an unprecedented moment with the arrival of musicians from different African countries to the metropolis of São Paulo. In the film Afro-Sampas we see what can happen when musicians from both sides of the Atlantic are brought into contact in the city where they live. Yannick Delass (Democratic Republic of Congo), Edoh Fiho (Togo), Lenna Bahule (Mozambique) and Brazilians Ari Colares, Chico Saraiva and Meno del Picchia accepted our invitation to a first meeting in which they…

This Wednesday, December 9, at 7 pm, Professor Rose Satiko Hikiji, deputy coordinator of the Laboratory of Image and Sound in Anthropology (LISA-USP), is interviewed at In-Edit Talks, by Marcelo Aliche and Maurício Gaia do In-Edit Brasil, Festival and Musical Documentaries channel.

Live on YouTube and Facebook from In Edit Brasil.

Napedra has been a pioneer in performance studies in Brazilian anthropology. It organized events that mark the field of performance anthropology, such as the International Anthropology and Performance Meeting - EIAP (2011), the 1st National Anthropology and Performance Meeting - ENAP (2010), and the Meetings with Richard Schechner (2013). He proposed the first research forums and working groups in performance studies of the Brazilian Association of Anthropology (ABANNE 2003; RBA 2004, 2006, 2012) and the National Association of Graduate Studies and Research in Social Sciences (ANPOCS 2005, 2006, 2007 ). He organized research forums and work groups at the First Latin American Anthropology…

Professor Rose Satiko was interviewed in the cycle of web conferences on personal trajectories and history of visual anthropology in Brazil.

www.youtube.com/c/LabomeVisualidades

Registrations: eventos.uvanet.br

This talk advances preliminary thoughts on the production of history in the precarious informal community of New Jerusalem, in the southern Philippine town of Dapitan. This community is the sacred capital of the Kingdom of God, a Messianic organization whose most important rituals are history classes based on elaborate arithmetic and on a combinations of Biblical and Phillippine national narratives.

As several other Phillipine groups, this organization sees national hero José Rizal (1861-1895) as God Himself, but interprets him in a particular way, as part of an arithmetic-based plot that portrays the Phillipines as the new promised land of the Israelites. Based on fieldwork…