News
Two films produced at LISA are now available on the new In-Edit TV, an online platform for musical documentaries.
Woya Hayi Mawe - Where are you going ?, documentary with Lenna Bahule, directed by Jasper Chalcraft and Rose Satiko Hikiji, shown on the 11th. edition of In-Edit - International Music Documentary Festival:
https://br.in-edit.tv/film/146
Check out the teaser at lisa.fflch.usp.br/woya-teaser.
And Afro-Sampas, selected for this year's edition, film with Yannick Delass, Edoh Amassize, Lenna Bahule, Meno Del Picchia, Ari Colares and Francisco Saraiva da Silva, also directed by Jasper and Rose.
https://br.in-edit.tv/film/45
Check out the teaser at lisa.fflch.usp.br/afrosampas-teaser.
Happy sessions!
The documentary Afrosampas, by professors Jasper Chalcraft and Rose Satiko Hikiji will be shown at In-Edit Brasil - International Music Documentary Festival! The festival takes place online, from 10/09 to 20/09 on the platform In-Edit-Brasil.com.
African artists who migrated to São Paulo talk about their artistic experiences and their relationship with their new surroundings.
Check out this link for the movie teaser!
Dear readers,
GIS - Gesture, Image and Sound. Revista de Antropologia - from USP has just published its fifth volume!
available in http://www.revistas.usp.br/
We invite you to browse the magazine's summary to access articles and other items of interest.
ARTICLES
·Movies like things in colonial India
Marcus Banks
·Evgen Bavcar: self-portraits and spot-images
Rodrigo Frare Baroni
·The anthropologist-filmmaker and the native-a (u) tor: the transformations of Oumarou Ganda and Petit Touré in Eu, a negro, by Jean Rouch
Luis Felipe Kojima Hirano
·Anthropology and Photography in Brazil: the beginning of a story (1840-1970)
Fabiene Gama
·What samba is this? Samba and batucada in Barcelona, Spain
Lisabete Coradini
·Therapy of insistence: the experimental music scene and the use of trance mediated by music as therapy against evils caused by the São Paulo ethos
Renato Albuquerque de Oliveira
·The “campeiro” concept in regional music in Rio Grande do Sul: a reconfiguration of the artistic / cultural order
Eduardo Hector Ferraro
·Amulets in corners inside and outside the Pitt Rivers Museum: the anthropology we make and the critique of contemporary hegemonies
Marta da Rosa Jardim
·Religious monuments as a new type of object: genealogy and actuality of a form of Catholic presence in public space
Emerson Alessandro Giumbelli
·Between sea, mountain and iris from around the world: an approximation of Ushuaia's Penitentiary Museum
Natalia Negretti
G.I.S - GESTURES, IMAGES AND SOUNDS
·Raw objects
Photographic essay: Geslline Giovana Braga
·About Presences
Filmic essay: Fabio Manzione
·Visual artifacts in political manifestations: an essay on mutations in the modes of subjectification and political action between 2013 and 2018
Photographic essay: Henrique Z. M. Parra
·The images I lack
Photographic essay: Bárbara Copque
T.E.R - TRANSLATIONS, INTERVIEWS AND REVIEWS
· For an anthropology of the body
Translation: John Blacking
·The artist and the stone: design, process and value in contemporary art
Translation: Roger Sansi
·Sum and subtraction: territorialities and theatrical reception
Review: Ruan Felipe Azevedo, Diego Gonçales
·The fabrication of belief by images, sounds, objects and bodies
Review: Marcus Vinícius Barreto
·Navigate between silences
Review: Luísa Valentini
·Memory Stone: Euclides Talabyan, my university is time
Review: Andréa Silva D'Amato
·More than human experience with Another Fire
Review: Felipe Figueiredo
·Make it on the ruler: aesthetics and sociability in barber shops in Rio de Janeiro
Resenha: Debora Costa de Faria
·Among relatives, who?
Resenha: Amanda Signori
NETWORK FINDINGS
·Body, gap, trace
Carolina Junqueira dos Santos
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EDITORIAL TEAMChief Editor: Sylvia Caiuby Novaes
Editorial Coordinator: Paula Morgado
Responsible Editor vol 5: Andrea Barbosa
Executive Secretary: Lucas Ramiro
Trainee: Leonardo Pereira dos Santos
Editorial Committee: Andrea Barbosa, Edgar Teodoro da Cunha, Érica Giesbrecht, Francirosy Campos Barbosa, John Cowart Dawsey, Paula Morgado, Rose Satiko Gitirana Hikiji, Sylvia Caiuby Novaes, Vitor Grunvald
This course is a journey through 19th century Iranian cinema, with the arrival of the cinematographer in Iran, until today, going through different cinematographic movements and contextualizing them with the history of the country and its different governments.
From historical, religious, ideological and aesthetic aspects, an overview of cinematography in the country is outlined.
Teacher: Profª Drª Kelen Pessuto - PhD in Social Anthropology from USP, Master from Unicamp, graduated in Cinema from FAAP and actress from Teatro-Escola Célia Helena.
Objective: The objective of the course is for you to know the entire history of Iranian cinema. A story that is closely related to the country's political issues. It is impossible to know one without knowing the other. This course will give you tools and answers to work with Iranian cinema in academia, whether teaching or in your research.
5 modules: Cinema in the Qajar Dynasty, Pre-Revolutionary Cinema, Post-Revolutionary Cinema, Gender in Iranian Cinema, Underground Cinema
23 video lessons + module presentations + bibliography + filmography + movie tips + podcast + activities
Available at:
https://hotmart.com/product/uma-jornada-pelo-cinema-iraniano
Price: R $ 300.00 in up to 3 installments
Class schedule:
Cinema in the Qajar Dynasty
The Image in Islam
Cinema in the Qajar Dynasty
Princesses of Persia
Once upon a time, Cinema
Pre-Revolutionary Cinema
Cinema in the Pahlevi Era
The 1940s and Hollywood
Nationalism in the 1950s
The 1950s and Film Farsi
The Motefavet Cinema
The 1960s and Film Jaheli
Kanun and Abbas Kiarostami
The 1970s
Post-Revolutionary Cinema
The Islamic Revolution
Cultural changes
The Islamization of cinema
Iranian commercial cinema
Iranian art cinema
The child in Iranian cinema
Genre in Iranian Cinema
The representation of women
Tahmineh Milani and Feminism in Iranian cinema
LGBT + in Iranian Cinema
The Underground Cinema
Underground Cinema and the Green Wave
Forbidden music