News
Three films made by researchers from PPGAS-USP received the Pierre Verger award at the 32nd. Brazilian Anthropology Meeting.
The Pierre Verger Award (PPV) for ethnographic films, from the Brazilian Association of Anthropology (ABA) and the Visual Anthropology Committee (CAV), was created in 1996 and now, in 2020, celebrates its 24th anniversary. The inclusion of the award for photo-ethnographic essays appeared a few years later, in 2002, and completes 18 years in this edition.
The films are available until 11/06 on the award website: https://ppv.abant.org.br/filmes/
Woya Hayi Mawe - Where are you going?, by Rose Satiko Gitirana Hikiji (DA teacher) and Jasper Chalcraft, received the award for best medium film.
Click here to check out the movie (you must register on the website).
Monocultura da Fé (Faith's Monoculture), by Joana Moncau and Gabriela Moncau (master's student PPGAS, supervised by Heloisa Buarque de Almeida), was awarded 2nd place in the short film category
Click here to check out the movie (you must register on the website).
Ãjãí: the ball game of Mỹky and Manoki, by André Lopes (PhD student PPGAS, supervised by Renato Sztutman) and Typju Mỹky, received an honorable mention.
Click here to check the movie. (you must register on the website).
Three films produced with the support of LISA are competing for the Pierre Verger Award at ABA this year, between October 26th and 30th!
Ãjãí. The head game of Myky and Manoki, by André Lopes and Typju Myky - Check out the Trailer!
New York, just another city, by André Lopes and Joana Brandão - Check out the Trailer!
Woya Hayi Mawe – Para onde vais? de Rose Where are you going? Satiko G. Hikiji and Jasper Chalcraft - Check out the Trailer!
The Pierre Verger Award (PPV) for ethnographic films, from the Brazilian Association of Anthropology (ABA) and the Visual Anthropology Committee (CAV), was created in 1996 and now, in 2020, celebrates its 24th anniversary. The inclusion of the award for photo-ethnographic essays appeared a few years later, in 2002, and completes 18 years in this edition.
In this 32nd Brazilian Meeting of Anthropology, PPV happens as a pre-event of the Brazilian Meeting of Anthropology, between October 26th and 30th. For the first time, and due to the pandemic caused by the Corona virus, this 13th edition of Ethnographic Films and the 10th edition of photographic essays will be held in a remote format. Altogether there will be 21 ethnographic films and 20 photo essays competing in the 2020 awards.
You must register to see the films and watch the scheduled debates.
The movie links will be available from 10/26 to 6/11/2020
Site : ppv.abant.org.br
To sign up: ppv.abant.org.br/
To enter: ppv.abant.org.br/signin/
At number 4 of USP INTEGRAção magazine, there was a report on USP's Afro-Brazilian Arts Center directed by Mestre Pinguim, coordinated by John Dawsey, professor of the Department of Anthropology!
Check out the article in /revistaUSPintegracaon4
Get to know the USP INTEGRAção magazine at http://cultura.usp.br/revista/
In times of political, sanitary and climatic crises, which violently impact indigenous peoples, the I Mostra CineFlecha: (Re) Existir e Curar presents - between October 1st and 15th - a set of films that reflects the power and diversity of contemporary indigenous cinema.
Divided into four thematic sessions, the films show the different ways in which indigenous peoples tirelessly continue to mobilize ways of (re) existing - resisting and existing again, and curing - through ancient and contemporary knowledge and practices, in the face of the hegemonic forces related unsustainable ways of life.
The curatorship of this debut edition highlights the audiovisual production of directors and indigenous cinema collectives articulated in Rede CineFlecha, among them ASCURI - Cultural Association of Indigenous Directors (Guarani, Kaiowá and Terena / MS); o Pēnãhã - Maxakali do Pradinho Cinema Collective (Maxakali / Tikmũ´ũn / MG); the Beya Xina Bena Collective (Huni Kuin / AC); the Akubaaj Cinta Larga Cinema Collective (Cinta Larga / RO); the Collective Ijã Mytyli of Cinema Manoki and Myky (Manoki and Myky / MT).
Visit https://redecineflecha.org/mostra/, check the schedule and watch the films and lives with the indigenous directors!
Instagram: https://www.instagram.com/
Facebook: https://www.facebook.com/
Youtube: https://www.youtube.com/
Story at FAPESP agency:
Also check out the lives of the event:
Two films produced at LISA are now available on the new In-Edit TV, an online platform for musical documentaries.
Woya Hayi Mawe - Where are you going ?, documentary with Lenna Bahule, directed by Jasper Chalcraft and Rose Satiko Hikiji, shown on the 11th. edition of In-Edit - International Music Documentary Festival:
https://br.in-edit.tv/film/146
Check out the teaser at lisa.fflch.usp.br/woya-teaser.
And Afro-Sampas, selected for this year's edition, film with Yannick Delass, Edoh Amassize, Lenna Bahule, Meno Del Picchia, Ari Colares and Francisco Saraiva da Silva, also directed by Jasper and Rose.
https://br.in-edit.tv/film/45
Check out the teaser at lisa.fflch.usp.br/afrosampas-teaser.
Happy sessions!
The documentary Afrosampas, by professors Jasper Chalcraft and Rose Satiko Hikiji will be shown at In-Edit Brasil - International Music Documentary Festival! The festival takes place online, from 10/09 to 20/09 on the platform In-Edit-Brasil.com.
African artists who migrated to São Paulo talk about their artistic experiences and their relationship with their new surroundings.
Check out this link for the movie teaser!
Dear readers,
GIS - Gesture, Image and Sound. Revista de Antropologia - from USP has just published its fifth volume!
available in http://www.revistas.usp.br/
We invite you to browse the magazine's summary to access articles and other items of interest.
ARTICLES
·Movies like things in colonial India
Marcus Banks
·Evgen Bavcar: self-portraits and spot-images
Rodrigo Frare Baroni
·The anthropologist-filmmaker and the native-a (u) tor: the transformations of Oumarou Ganda and Petit Touré in Eu, a negro, by Jean Rouch
Luis Felipe Kojima Hirano
·Anthropology and Photography in Brazil: the beginning of a story (1840-1970)
Fabiene Gama
·What samba is this? Samba and batucada in Barcelona, Spain
Lisabete Coradini
·Therapy of insistence: the experimental music scene and the use of trance mediated by music as therapy against evils caused by the São Paulo ethos
Renato Albuquerque de Oliveira
·The “campeiro” concept in regional music in Rio Grande do Sul: a reconfiguration of the artistic / cultural order
Eduardo Hector Ferraro
·Amulets in corners inside and outside the Pitt Rivers Museum: the anthropology we make and the critique of contemporary hegemonies
Marta da Rosa Jardim
·Religious monuments as a new type of object: genealogy and actuality of a form of Catholic presence in public space
Emerson Alessandro Giumbelli
·Between sea, mountain and iris from around the world: an approximation of Ushuaia's Penitentiary Museum
Natalia Negretti
G.I.S - GESTURES, IMAGES AND SOUNDS
·Raw objects
Photographic essay: Geslline Giovana Braga
·About Presences
Filmic essay: Fabio Manzione
·Visual artifacts in political manifestations: an essay on mutations in the modes of subjectification and political action between 2013 and 2018
Photographic essay: Henrique Z. M. Parra
·The images I lack
Photographic essay: Bárbara Copque
T.E.R - TRANSLATIONS, INTERVIEWS AND REVIEWS
· For an anthropology of the body
Translation: John Blacking
·The artist and the stone: design, process and value in contemporary art
Translation: Roger Sansi
·Sum and subtraction: territorialities and theatrical reception
Review: Ruan Felipe Azevedo, Diego Gonçales
·The fabrication of belief by images, sounds, objects and bodies
Review: Marcus Vinícius Barreto
·Navigate between silences
Review: Luísa Valentini
·Memory Stone: Euclides Talabyan, my university is time
Review: Andréa Silva D'Amato
·More than human experience with Another Fire
Review: Felipe Figueiredo
·Make it on the ruler: aesthetics and sociability in barber shops in Rio de Janeiro
Resenha: Debora Costa de Faria
·Among relatives, who?
Resenha: Amanda Signori
NETWORK FINDINGS
·Body, gap, trace
Carolina Junqueira dos Santos
EDITORIAL TEAMChief Editor: Sylvia Caiuby Novaes
Editorial Coordinator: Paula Morgado
Responsible Editor vol 5: Andrea Barbosa
Executive Secretary: Lucas Ramiro
Trainee: Leonardo Pereira dos Santos
Editorial Committee: Andrea Barbosa, Edgar Teodoro da Cunha, Érica Giesbrecht, Francirosy Campos Barbosa, John Cowart Dawsey, Paula Morgado, Rose Satiko Gitirana Hikiji, Sylvia Caiuby Novaes, Vitor Grunvald
This course is a journey through 19th century Iranian cinema, with the arrival of the cinematographer in Iran, until today, going through different cinematographic movements and contextualizing them with the history of the country and its different governments.
From historical, religious, ideological and aesthetic aspects, an overview of cinematography in the country is outlined.
Teacher: Profª Drª Kelen Pessuto - PhD in Social Anthropology from USP, Master from Unicamp, graduated in Cinema from FAAP and actress from Teatro-Escola Célia Helena.
Objective: The objective of the course is for you to know the entire history of Iranian cinema. A story that is closely related to the country's political issues. It is impossible to know one without knowing the other. This course will give you tools and answers to work with Iranian cinema in academia, whether teaching or in your research.
5 modules: Cinema in the Qajar Dynasty, Pre-Revolutionary Cinema, Post-Revolutionary Cinema, Gender in Iranian Cinema, Underground Cinema
23 video lessons + module presentations + bibliography + filmography + movie tips + podcast + activities
Available at:
https://hotmart.com/product/uma-jornada-pelo-cinema-iraniano
Price: R $ 300.00 in up to 3 installments
Class schedule:
Cinema in the Qajar Dynasty
The Image in Islam
Cinema in the Qajar Dynasty
Princesses of Persia
Once upon a time, Cinema
Pre-Revolutionary Cinema
Cinema in the Pahlevi Era
The 1940s and Hollywood
Nationalism in the 1950s
The 1950s and Film Farsi
The Motefavet Cinema
The 1960s and Film Jaheli
Kanun and Abbas Kiarostami
The 1970s
Post-Revolutionary Cinema
The Islamic Revolution
Cultural changes
The Islamization of cinema
Iranian commercial cinema
Iranian art cinema
The child in Iranian cinema
Genre in Iranian Cinema
The representation of women
Tahmineh Milani and Feminism in Iranian cinema
LGBT + in Iranian Cinema
The Underground Cinema
Underground Cinema and the Green Wave
Forbidden music
Three FFLCH projects are included in the call for proposals for Culture and Extension.
The initiatives, which include the Afro-Sampas project: dissemination of research with African musicians residing in São Paulo, by Professor Rose Satiko, encompass several areas, such as anthropology, music, African studies, cinema, geopolitics, international relations and linguistics. See more at fflch.usp.br/2290 .
In spite of all the pressures of the society that surrounds it, the Ticuna people - who live in the Alto Solimões, on the triple Brazil-Peru-Colombia border - preserved one of their most important ceremonies, the Festa da Moça Nova. Check out the video and report by José Tadeu Arantes: https://bit.ly/2AEhy0G
It is a complex ritual of female initiation, lasting three days, investigated in depth by anthropologist Edson Matarezio. Postdoctoral fellow at Centro de Estudos Ameríndios - CEstA / USP, under the supervision of Marta Amoroso, Matarezio recently launched a book About the subject .
Link to the full documentaries: https://bit.ly/3b3IWSd
More information about the book: http://cesta.fflch.usp.br/en/node/1343